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Welcome to our letters page. These letters are answered by Jonathan Couper,
who uses them as a chance to sharpen his otherwise dull wit. If you want a
serious response, your chances will be increased by posing your question,
respectfully, to our Spider-Oracle.
This month, we had a little problem with our mail form, and lost all letters
sent between approximately 10-20th October. The problem is now resolved. If
you used the online form to send us a letter during that time, and haven't had a
reply, then we're terribly sorry but you'll need to resend your question.
From Jim Amash
I want to correct your info. I inked part of Lethal Foes of Spider-Man #2, but
the credits mistakenly attributed my work to Frank Turner.
Hiya Jim! Thanks for dropping by and clearing that up. We're big believers in
giving credit where it's due, so we've tweaked our credits database to show
things as they really ought to be.
From Stefano
My name is Stefano and I'm mailing you from Milano (Italy). I am a little
collector of Spider-Man comics (American and Italian editions)
I have a question about the number 434 of Amazing Spider-Man vol.1:
I posses 3 different copy of that comic, you describe 2.
- ...is the normal edition.
- ...is the normal edition with Ricochet on cover.
- ...is a edition with ricochet on underneath cover.
Is right that you have in your database only two?
Stefano! Sta bene? Hey, I've actually been to Milano. I have wonderful
memories of eating ice cream at 1am in the piazza centrale while a jazz band
played. I was on a work trip, so I didn't see enough!
But enough of that. Back to your question! We're pretty sure that there are
only two U.S. editions around. They both have the same barcode marked 43411.
The first version has a Spidey fold-out Spidey cover over the Ricochet cover.
The variant has the Ricochet cover stapled on top of the Spidey fold-out cover.
If you have anything else, maybe you have one of the others with the outside
cover torn off? Or perhaps a printing glitch?
From David
I was just wondering if I was the only one who noticed that ASM #499 was very
similiar of Spider-Man vol.1 #59. It just happenes that on both issues,
spider-man is taken to a near future where New-York is in ruins and the first
thing he does is checkup on Mary-Jane. While 499 was a far better issue than
that clone saga filler, it sure looked familiar to me.
Heh, nice point. Maybe the writers are commenting on a base aspect of human
nature. Until we actually discover time-travel, I guess we'll just have to
speculate as to whether their description of Peter's actions are consistently
accurate?
From ATPR
Wow what a surprise! It wasn't updated when you said it would be. Man, you suck
big monkey balls!
I'm sucking big monkey balls? GACK! I thought they were kiwifruit!
But yes, sometimes PPP does get posted a couple of days late. I'm tired of
explaining how everybody on the team has many other commitments, and how we do
this for fun, not for profit. So instead, may I just invite you to sue me for a
full return of your membership fee! Plus, tell your mom I'll be round at the
usual time.
From Libby
I was just curious. When you put together the Spider-Man encyclopedia, I
wondered if you ever noticed a few small quirks in the original tales? They
aren't the kind of things that would go in the book but they made me curious
when I read the comics.
- When Gwen's Dad died, she decided to go to England and Peter rushed to stop
her but learned her apartment had already been rented. I'd always assumed from
previous issues that she lived with her Dad in the Stacy house.
- It seems like after Gwen's death, Conway sort of inserted MJ into Empire
State U. as a student when before that, she'd been a working girl-
actress/dancer/ etc. who came to ESU to see Harry, Peter etc. but had never been
a pupil. Is that your take on it too?
- Finally, I've always felt the Jackal's ability to attack Peter without
setting off his Spider sense was an error unless he had some kind of chemical
musk or something that nullified it. Even as a "friendly" teacher, he should
have activated it when he tried to harm him since even Aunt May or Mrs. Muggins
set it off before when they became physical with Peter.
Hmmmm... I do recall seeing Gwen and Peter depicted together at her dad's house.
That is an interesting point. However, perhaps in the 60s, even if you moved
away from home you might still have more contact with your parents than we might
do in modern times.
On your second point... I don't ever recall MJ depicted as a student. She
certainly started socialising with Peter's ESU crowd, but I can't recall seeing
her attend a class.
Finally, regarding who sets of Peter's Spider-Sense is a bit of a murky area.
But I believe you're wrong about Aunt May. She managed to quite successfully
bean Spidey with a vase while she was Doc Ock's housekeeper. So there's plenty
of other examples of family and friends managing to not set off his
danger-sense.
From daveat
Was it in the Yeti episode of Spiderman where Skip was an old man with a
birthday cake and he blew out the candles and the Yeti shows up and he says
That's not what I wished for! Then Spiderman shows up and he says That's not
what I wished for either!
Heh, that sounds like a fun story... but sadly I must confess that I haven't
seen an episode of TEC in over twenty years, and I can't recall seeing that one.
Most of our Electric Company info is provided by various people who have emailed
info over the past few years. We don't really have a regular expert to answer
these sorts of questions, sadly. I also suspect that it's too much to hope for
that we will ever see these Spidey TEC segments on DVD. But in the meantime, if
anybody out there can help us sort our our
Spidey Electric Company
episode guide, just drop us a line!
From Merv
Has anyone tried to make a floor plan to Peter's basement? I'm talking the
Ultimate Peter Parker. I always see him in there and I can't help but wonder
WHERE he is in there.
The first shot of it in USM #1 gives us this big open maze of test tubes,
beakers, bookshelves, and tables. But in the rest of the comics, it's sort of
this more rectangular room. Not that big or open. But, I looked closer at (the
issue where Gwen spends the night and MJ gets upset in the basement-Captain
Stacy still alive) and it looked like a pretty open area.
But Peter was washing his costume in a sink, and my research says there is a
sink at the opposite end of the basement as his computer. The entrance from
outside the house-not inside-is right right next to his computer. Going down
those stares, we see a wall. My guess is, there is a more "out of the way" open
and large area on that side of the lab where Peter has his table and does the
actually "work" or building. That open area has the sink and what I think is a
hot water heater.
There's gotta be a second door or something somewhere that leads to an actual
basement for storage. In the end, things are always changing. Either Peter
just likes to make a bit of a new environment every now and then (and we both
know he's strong enough), or Bagley/Thilbert don't' care about consistency. As
long as it looks the same to the average bonehead reader. Too bad for them, I'm
not the average bonehead reader.
I think USM #33 will either answer all my questions, or open a whole new realm
of them. That's the issue where Peter finds the secret room with the video
tapes. Unfortunately, it's the one issue missing from my collection.
If you've actually read/understand al this, then you have my solutes. Cause I
barely could.
Yep, I think you've gone that one step beyond what Bagley/Thilbert really
considered! I'm sorry to say, but the most likely excuse is that this just
slipped past the editors without a second glance.
When creating fiction, there's always a level of reality which is sustained, and
others which are neglected. Think of going to the theatre. The costumes and
sets are designed to look real from a certain distance. Get to close, and
you'll begin to see behind the facade. My advice... just don't look!
From Claire
hey i'm an A level media student studying at The Woodroffe School, in Lyme Regis.
I am currently doing a project on how the rise of interest in comic book heroes
relates to the public and how. I would be very greatful if you could send me any
information that you think would be useful. I would also like to hear your
oppinion on it.
Hiya Claire. This is a topic which certainly does seem to pop up now and again
as a good research topic. While I often touch on specific aspects of public
interpretation of comic-book characters, I don't have any "big picture" stuff to
help get you started, sorry. Unless you can be more specific, there's not much
I can offer.
One of my goals over the next few months is to review a number of more general
books which cover topics such as the history of Marvel comics, the artistic
aspects of modern comic-writing, how to start collecting comics, and such like.
Along the way, I'm planning to review some work by Scott McCloud, which should
certainly skirt around the subject you mention.
Unfortunately, you're just a little too early, and I haven't actually purchased
any of those books yet! I don't suppose your tutor will wait six months for
your project? No? Well, then I suggest you hit www.amazon.com, and see what
you can find. Scott McCloud is probably the best I can suggest right now.
From Matt
I only see information about Spider-Man the Evil that Men Do issues #1-3. This
was almost a year ago... wasn't this supposed to be a 5 part series? I checked
around the internet and didn't find any good information (though a Graphic Novel
with 144 pages (more than 3 issues) on amazon to be sold in January).
Did the series get cut short?
Ah, what sorrow when a man's reach dost outstretch his grasp!
Yeah, Smith bit off more than he could chew. Unless things have started moving
again very recently, that TPB on Amazon is probably just a piece of marketing
optimism! I hope it does happen, but don't hold yer breath!
From Beverly
My fiance is a huge spiderman fan and comic collector. I want to get him a
comic for his birthday but I have no idea as to what to look for. I have an
idea of a comic he really wants (Amazing Spiderman #238), as he has not found it
with the tattoo. How can I ensure the tattoo is in the comic if I order it
online? Is that taken into account with the rating system? What is a rating
that would be a good gift/collectable? Any other things I should look for or
avoid please let me know.
Overstreet lists ASM #238 at $70 in Near Mint, with our without tattoo. I
suspect that what they mean by this is that a copy with tattoo is probably worth
more than one without, but they are not prepared to put a dollar value on the
tattoo. I can't suggest what premium you would pay for the tattoo. I myself
would probably be prepared to pay an extra $20 or so. Maybe more after a
double-shot expresso.
If you are bidding on a copy at auction, or looking to buy online, the seller
will almost certainly tell you if the copy includes the tattoo. If they don't
mention it, you should assume no tattoo. But it never hurts to ask. My copy
doesn't have a tattoo, but then again, it isn't quite Near Mint either.
One thing to be careful of. Fantastic Four #252 had the same tattoo, and costs
a LOT less than ASM #238. There are people around who are buying FF #252 for
the tattoo, and putting it in ASM #238 to boost the price. You'll probably
never know if that's the case. Personally, since I wouldn't know the
difference, then it wouldn't bother me.
From Henrique
Heya. Omar Karindu over at the Spider-Man Message Board has put together a
great list of times where Spider-Man has actually killed. This would be a great
addition to the FAQ, yeah?
Indeed! Many thanks to Omar, who's research is now featured in our
Has Spider-Man Killed? F.A.Q.
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